| Chinese Brush Painting Society |
| The Chinese Brush Painting Society (CBPS) was organized in 1980 by students of Jean Chua Shen, an accomplished artist and teacher of classical brush painting. History finds Chinese calligraphy and brush painting share a common source as art forms dating back many centuries. In each, emphasis is placed on perfection of brush strokes in combination with the artist's spirit. This coordination of inner and outer resources-referred to by traditional painters as "heart and hand in accord"- resulted in the serenity and beauty of Chinese brush painting. The material of Chinese brush painting- brush, ink, inkstone, and paper- are the same now as they were for the ancient calligrapher. Always held in deep respect, they have been named the Four Treasures of the Abode of Culture. Each is dependent on the other and all are highly prized. |
| For more information please contact laura@pasternackstudios.com |
| Chinese brush painting is unlike any other form of painting both in technique and philosophy. In Western watercolor, the basic technique is the wash. In Chinese brush painting, the basic technique is the graphic use of the brush. The brush is used primarily to make strokes, rather than washes. The wash becomes a delicate supplement to the painting, adding neutral hints of color which define mood rather than delicate form. Certain life forms have particular significance and have come to symbolize selected virtues and attributes. The four seasons, for example, are represented by the 'Four Gentlemen'- orchid, bamboo, chrysanthemum and plum. These plants not only depict the seasons of spring, summer, autumn, and winter, but also embody respected qualities, such as enduring friendship (Chrysanthemum). |
| The Chinese Brush Painting Society is available for shows in the southern California area. |